He's pretty sure this goes against his contract.

Actually, he's sure it goes against not only his contract, but also the various non-harrassment papers they all have to sign every time some aide in the Governor's office gets a little twitchy.

Like after Lori left. And after he and Gabby...

Well.

So maybe he hasn't made the best choices in the world, in the last few years. Maybe things have been a little extra rough, for him and Steve and the rest of the team, between Doris and Kono wandering around looking for Adam and --

(he doesn't think about Reyes, or about Matt, unless he has to, and he doesn't have to, tonight, so he just skips, like a record needle scratching)

-- well, that building. With the bomb. (And Amber, who -- speaking of bad ideas. Good kid. But a kid.)

Anyway you slice it, they deserve a win, Five-0. All of them do. It's been a hard few years, and they've all taken their lumps.

So when this got served up to them, it seemed too good to be true. Right? Straightforward. Sleek facade concealing sleazy underhanded deals, that first came across Duke's desk for possible fraud and tax evasion, now linked to not one, but two murders -- which means it's theirs, now.

Danny was even happy about it, until it turned out they'd be going in UC, until he's the one pulling open the door, stepping into a wash of air conditioning and dim lighting from Hawaii's sultry Saturday night, until this plan started looking less like recon and more like a heist.

At least this suit still fits.

00:00:00

Jan. 14th, 2014 09:13 pm
haole_cop: by me (you've gotta be kidding me)
 "Now it's my crime scene."

Those could have been, should have been, the last words he heard from McGarrett, and in a kinder world, they might have been, but the world hates Danny Williams, and he's not exactly feeling all that generous towards it, himself, so he's honestly not even a little surprised when the authoritative rap on his door comes attached to a too-tall, too-broad, too-aggressive Navy SEAL with revenge on the mind and Daddy issues from here back to the boardwalks of Wildwood.

He hates him. 

Because of this joker, he's home in the middle of the day, instead of at work, work, he might point out, where he's attempting to catch the guy who did this to McGarrett, Sr., which is normally what the child of a murder victim wants, right? They want the cops to do their damn job and haul the dirtbag in for justice.

They don't storm in and take over like it's their goddamn platoon out in fucking Afghanistan.

Except McGarrett, okay, he doesn't seem to have gotten the memo. There's a reason officers don't get involved if the deceased was a family member, and this is exactly why: it makes people angry, irrational.

(He hopes to hell this is McGarrett being irrational.)

It's too close, too personal -- and it's also not his case anymore, so he's got no idea why McGarrett, shirt sticking to his skin from the soaking rain that just hit, because it rains every goddamn day here, what a fucking miracle, Hallelujah, is standing on his doorstep, because it isn't that.

(And it's not that either, he refuses, it's not happening, and there's no possible way this whackjob noticed. It could be he doesn't even have a timer, or got his blown off while single-handedly stopping an insurrection with a couple of grenades and a can-do attidtude.)

So he just stands and waits, with one hand still on the doorknob, ready to slam it shut just as soon as possible.

 
haole_cop: by me (up against a wall)

In a universe where everyone is born with numbers on their wrists counting down to when they’ll meet their soulmate, send me 00:00:00 for my muses reaction to their numbers hitting zero when they meet yours.








The world hates him.


Danny has proof, conclusive proof. He has lists. He has file upon file of evidence, neatly bagged and alphabetized, and it all points to one grim conclusion:

The world hates him.

He's known it for a while now. It just happens to some people, you know, some people are just pinatas for everyone else to beat on, some people are the muddied and jagged unexpectedly stepped-in, sock-soaking puddles of the world. Some people are golden, and some people get punched in the face when they go to shake hands. It happens.

After a while, Danny started punching first, just to save time.

The worst of it is, he knows. Okay? You knew, said his mother, not without sympathy, when he called to tell her he and Rachel split up. He knew when her clock ticked down in the middle of their marriage that it was all over, knew it was never going to be him, that they'd made a mistake. He knew. He remembers staying up, listening to her quiet breathing, as her clock ticked down the hours. She swore it didn't matter.

He knew it did.

Of course it did. They were young and stubborn enough to scoff at the numbers, that there were years left to go for both of them, well past the day they met, well past the day they tried to run off and get married in Atlantic City, well past the day they actually got married, on a sweltering day in August. The numbers lie, they told each other. This is love, they said. This is all there is

But it wasn't. Because the world hates him.

Exhibit A: his apartment. It is not the apartment of a man for whom things are going well, okay? His apartment building is the sort of complex police won't raid without backup. The apartment itself is a study in architectural misery. It's a cluttered, dingy shoebox of a room, for his cluttered and dingy shoebox of a soul.

And it's a fucking racket, okay, he is not a tenant, he is a serf. This place is one step above living in an alley in a rain-soaked cardboard box, but for the rent he pays, you'd think it'd be a three bedroom with an ocean view and marble counters. Okay? He pays by check but he's reasonably sure his landlord would accept blood drawn straight from his arm, or perhaps the arm itself. But he would be nice about it, because everyone is so oppressively nice here, with the sun and the surfing and that weird little hand wiggle and their brahs and breezy howzits, which isn't even a word, which leads him to --

Exhibit B: Hawaii.

He's aware, on a dim level, that most people like Hawaii. That people come from all over the world to vacation here, to look out at the water and frolic in the sand and waves, to eat the fresh fruit and buy pineapples for eight dollars a pop, because tourism is a racket here, too, just like gambling is in AC. He knows they think he's the crazy one for hating it, that in six months here he hasn't made any friends aside from Meka and has probably made more than a few enemies, all because he won't fawn over their stupid coral reefs and active volcanos. 

It's all bitter to him. Nothing but bitter. All it does is make his apartment look smaller, dingier. All it does is make his work clothes uncomfortable, when they never were before. 

He's not going to be beaten by a fucking island, but because he's not some hippie-surfer-flower child, he's viewed with deep suspicion wherever he goes.

He's starting to think he should get that haole cop put on his license plate, or monogrammed on his towels.

Assuming he can ever afford monogramming again.

Assuming he can ever afford towels again.

So, the world fucking hates Danny Williams, and Danny Williams fucking hates the world right back, and Danny Williams goes down swinging, if he goes down at all. He doesn't mind, doesn't care. There's one bright spot on this miserable spit of sand, and if she's not there, he's plenty happy to give exactly no fucks at all. He sometimes gets a pang of guilt for the thoughtful, pained look Meka sometimes gets when Danny's arguing not just with people but with Hawaii itself, but Meka doesn't get it. Hawaii has fucked up, just. Everything.

See, his numbers run out in Hawaii.

He figured it out sitting on a crappy motel bed in Jersey, hangover coating his tongue and thudding carpeted fists into his temples, while Matt snored on the pullout under the window. Rachel's numbers had run out, but his still had nearly a year to go, and they were going to go in Hawaii, which is perfect, right, which is nearly goddamn poetic, because everything else that's going wrong with his life will be in Hawaii, too.

(Part of him knows, rationally, that it's not actually Hawaii's fault that his numbers run out there. Rachel didn't leave him for Hawaii. Hawaii didn't end his marriage or make Peterson into fucking dick, a dirty cop, or kill Grace. But Hawaii can't hit back, aside from that one first fist embedding itself deep in his gut when he stepped out of the terminal into seriously brilliant fucking sunlight, the kind that sears all the way back through your head like a bullet, and hasn't dislodged since.)

So, his numbers run out in Hawaii, and, because the world hates him, they ran out today, because, okay, because.

Because Exhibit C: Steve Fucking McGarrett.

Fine. Danny can be reasonable, Danny can even be generous, so Danny can use his full goddamn title: Lieutenant Commander Steve Fucking McGarrett.

(He sees no reason why he should accept any possible other middle name).

Lieutenant Commander Steve Fucking McGarrett showed up where he had no goddamn right to be, but, fine, the world works that way for some people, those golden people, fawns all over them and lets them ignore yellow DO NOT CROSS tape, just gives them what they want while taking from Danny the following, in order: his crime scene, his temper, and the last ticking number on his wrist.

There's no doubting it. No mistaking it. He knew it would be today, knew it would be sometime mid-morning, after dropping Grace off at school, knew it would be during the course of his work, but he still stands in that dusty garage for a few seconds, staring at the dust void left behind by that goddamn tool box and wondering just what he'd done in a past life to make sure the world just keeps gunning for him, because McGarrett? McGarrett is not Danny's idea of a soulmate. He's obnoxious and arrogant, with a steel-edged glint in his eye that pings just on the wrong side of crazy. He stole Danny's crime scene.

And his number's up.

He hates Hawaii. He hates Hawaii, and he hates Rachel, and he hates the flawed justice system that allowed her to steal Grace away to this miserable tropical paradise, and he hates Governor Jameson for letting an asshole like that off the leash, and he hates Steve McGarrett most of all, almost as much as he hates the six static zeros on the inside of his wrist, taunting him with all the things he's messed up, that led him right here, to this dingy and dark garage,  to this dingy and cluttered apartment, to this house with blood on the walls and this man with blood on his hands and it is enough, all right, it is well past the last straw and the breaking point. He's a nail the tire of the world rolls over, rusty and dangerous and almost entirely inconsequential, just sticking there, trying to do some damage when all that happens is he keeps getting flattened, slowly and irrevocably crushed.

And Steve McGarrett might as well be driving the whole thing.

So he hates it. He hates it all, because the alternative is to think maybe the world doesn't hate him at all, that maybe he's too small and insignificant a thing to be hated, because hate requires notice, and who notices a piece of gum stuck to the sole of their shoe?

Maybe the world doesn't hate him, but he hates it, the world and McGarrett and Hawaii and Rachel and most of all, he hates himself, right down to a furious molten ball of lead in his stomach, because he has six zeros.

He counted down. It happened. He has six zeros, and he hates himself, because he can't quiet that faintest, worst, of words. Hears it in the garage. In his car. Alone in his apartment, while he sits on his ass and has a beer in the middle of the day because his Captain is pissed that he lost the crime scene and because his number ran out and because why the hell not --

He hears it. And he can't stop it. That one, terrible, awful word.

Maybe.
 
 He doesn't like the beach, okay?



He doesn't. Not even on a Saturday with nothing else to do, not even when he's actually getting sort of passably okay on a surfboard (enough not to worry about drowning every time he actually goes after a wave, at least). Not even though today's beach visit includes Steve McGarrett in board shorts that cling to his ass and legs, shining with what looks like a permanent glaze of water, hair damp and unruly and eyes squinting cheerfully in the sun.

He's like a goddamned plant, Steve. Soaking up these sun rays as if he needs them to recharge, and, okay, fine, it's a good look on him. Glowing. Active. Needling Danny into coming, instead of letting Danny stay in bed, coaxing him with the siren call of Kamekona's shrimp (which Danny paid for) and beers on the beach (which Danny also paid for).

It'll be fun, Danno.

You'll like it, Danno.


He sounds like Grace.

Okay. Fine. Maybe there's something appealing in how happy Steve is to get out in the sun and the water, and maybe Danny isn't going to begrudge Steve anything that makes him smile like he does when he's coming off a wave and he's flying high with adrenaline and triumph. 

And maybe it's kind of nice, to spend the day together. Catching a few glances slid his way from under Steve's soaked and curling hair, flaking out in the sand until he can feel the beat of sun in his skin, surrounded by the scent of synthetic coconut and pineapple (his favorite kind), and maybe he's feeling decently expansive with the world, coming off a successful turn out in the waves himself, and now contemplating the possibilities of a cool umbrella drink or two from the bar further down the beach in a while.

For now, he sips some water, waves his hand idly, eyes traveling over the yards and yards of white sand, jewel-toned water, bronzed and smiling relaxed people all around.

It maybe does kind of beat dealing with hardened criminals, at least.

"You know what this place could use? A boardwalk."
haole_cop: by anuminis (c'mere)
 He's barely through the door when Steve turns on him like a river breaking through a dam, pushing him up against the wall and, oh, there, there's gravity, there's stability, there's the world no longer seesawing strangely around him, sloshing in confused waves, because Steve is blotting it all out, sudden heat and weight and, Christ, searing brilliant mouth on his, crushing any other possible words into a sound that gets shoved straight back into his chest and spikes there with vicious longing.

Hands chasing up his arms, down his sides, before one finds his back and flattens there and the other curves hard at his neck, dragging him closer, like there's anywhere closer to be.  Pressed between Steve and a hard place, shifting legs to fit one thigh between Steve's, pushing up, a twinge in his neck, and, fuck, there's nothing like this, nothing.  He must have been crazy, must have been in a coma, to have been able to stay away from it for the last days, weeks, too damn long without this.  Without Steve shoving fire into his chest with blunt hands, coming away with Danny's heart and lungs and ribs and everything else he needs to keep moving.  When he doesn't want to move, doesn't give a single damn about anything but Steve, and Steve's mouth, and Steve's skin under his hand.

That hand.  Dropping like it's instinct to the hem of Steve's shirt, and snaking up under it until there's bare skin against his palm and Danny moans right into Steve's mouth, because it's not enough and it's too much all at once, wires crossing and sparking into a crazy blaze in his head.  Skin soft and fever-hot, threatening to singe his palm, and there's not enough of it, not enough of any of it, and this is the wrong place but Danny's not at all sure he can bring himself to care even slightly.
haole_cop: by me (gussied up)
"So, let me get this straight."

He's in his office, changing, but he knows from experience that his voice can carry through the door and the windows (blocked by blinds, thanks, he's got no desire for anyone to be catching a sneak preview, here).  "I'm a filthy rich haole tourist out for a little easy entertainment.  And I'm -- what?  Kono, am I picking you up at the bar, or are we going together?"

Either could work, though he thinks the former would be better all around.  Definitely more of a slap in the face of the group they're aiming for, really stepping all over their feet, which Danny is more than happy to do.  When even the kapu are pissed at an outlying group of radicals, they are seriously starting to get aggravating.  He would label them, officially, a nuisance.

More than, maybe, but it's not like they're going to find some fat cat investment banker tonight, doped up on Sex on the Beach and getting away with it.  He checks his reflection, slicks palms over his hair, and starts rolling up his sleeves, still talking, to Kono, or Chin, or Steve, or maybe just himself if no one's listening, but he doesn't care.  They're going to go out and get the assholes, and that is the point of everything.  Has him just about bouncing on the balls of his feet, shoulders set, every muscle wired and ready for action. 

A different kind that he's dressed for, but action.  And, hey, it's nice to dress up for once in something that isn't black and white and makes him look like he's serving drinks.  "This is going to be some juicy bait.  Jesus.  Even I wouldn't trust me in this get-up."

It's good.  It was always going to be, on the Governor's dime, but it fits him like a glove and he looks like exactly the kind of casually-pressed guy who might play a round of golf in the morning, have a video conference in the afternoon, and call it a day by 2:30pm before hitting the a glitzy party or two.  "Hey--"

As he's pushing back out into the bullpen, fingers finishing tucking up the rolled sleeve of his shirt, finding Kono with a grin.  "I hope you feel like dancing."

haole_cop: by quadratur (leaning)
There's something about that first cup of coffee on a Saturday morning.  The scent filling the kitchen, the sun-splashed tile and metal and glass, checking his phone and finding no emergencies, nothing he needs to deal with yet.

Just the paper, and coffee, set up the night before and brewing by itself, like a freaking miracle, because Steve seems to have decided that coffee-making is Danny's problem, preferring the judicious application of cold water and early morning to wake himself up.  It took an hour of puzzling through the instruction manual that Steve had kept, like the OCD freak he is (with the original box, who keeps the box the coffee maker came in?  There are times Danny looks at the attic and despairs) and a couple of ruined batches, but he'd figured it out eventually and now, when he comes downstairs, barefoot in loose sweatpants and an old t-shirt (one of Steve's, they're soft from too many washes and more comfortable than anything he's ever bought for himself), hair wild and eyes still a little bleary, the coffee is ready.

It is truly like a gift from God.

He pauses in opening the fridge, listening to what sounded like a creak from upstairs, but either Grace isn't up yet, or she's pretending not to be, because no footsteps follow.  Or maybe she's already up and in the water, what does he know?  She's developing an intensely worrying ability to sneak up on him.  He suspects Steve's been teaching her survival skills in the woods when he's not paying attention, and that's all well and good, even if the thought of his Gracie hunting wild boar is unsettling in the extreme, but he draws the line at special ops.  Grace does not need to know how to ninja her way into a locked and guarded building, or to blindside some poor unsuspecting sap.

That's what she has Steve for, right?

Milk, sugar, padding through the dining room to the lanai door, and it's only moments before he's parked in his favorite chair, squinting into the sun and watching the dot in the water that's Steve, cutting through waves.  He used to bring out a mug for him, too, before he realized that half the time it would go cold before Steve got in, and that Steve preferred water before coffee and after exercise first, anyway, so there's an empty mug back on the counter, waiting, and anyway, Danny's not his maid.  He can get his own damn coffee.

Stretching his legs out, he leans back, sips at his coffee, watching clouds pass, lazy, along the path of winds and updrafts.  The phone is nearby, but thus far there's been nothing but a text from Kono pointing out the waves today are extra choice, so get your ass on the water, old man, which he may or may not do, depending.

Definitely not just past dawn, but she is, as always, a crazy woman.

haole_cop: by <user name="somanyreasons"> (he's a good cop)
There are few things he loves more than the afternoons and evenings that he gets Grace.  Picking her up from school, taking her for a snack or a walk or a swim -- or all three, depending on how effectively she marshals those big brown eyes and the dreaded Look of Doom, that says she's not mad, Danno, she's just Disappointed, and, seriously, shouldn't that be his thing?  Except she looks so much like Rachel that it hurts, remembering the days when Rachel used to wheedle and coax and smile at him under a faint facade of sincerity.

Back in the old days.  When life was good the first time around, and he'd never wanted anything to change. 

But for a few hours, he can live it again; this time in sunshine and ninety-two degree weather, surrounded by palm trees instead of buildings, and he has to admit, you know, with Grace, the place is almost bearable.  The sun lights up her smile -- or her smile lights up the sun, he's not totally clear on which is which but it could be both, right? -- and she sits, legs swinging, at a picnic table, doing her homework and graciously allowing him to help, even though he can barely remember the basics of long division.  Mostly he points out how good her penmanship is, how organized she is, how responsible.

"I never did my homework right after school," he tells her, slouched on the other end of the bench, fingers clasped loosely together, elbows on his thighs and back curved, just brushing the table top.  She looks over at him, calm curiosity in her face, but he just can't get over it, can't, won't, ever.  He'll be slammed in the face every day of his life with the amount of trust that's in her eyes every time she so much as glances his way.  Thoughtless, instinctual.  Like her Danno will never let her down.

And, God, he's trying.  He is.

He has to win.  If not, he --







-- just won't think about that, yet.

"It's true," he says.  "And half the time I was playing sports, too, so it'd finally roll around to being dinner time, and I'd still have a dozen problems to do and a bunch of words to spell and a ridiculous amount of pages to read, like at least a hundred.  At least."

"Danno," she reproaches, in that tone he loves so much, little voice drawing out the syllables, full of disbelief and the slightest adult resignation with her father, who, Christ, feels like he's gotten poured full of sunshine. 

"It's true!" he says, and grins when she keeps watching him, level.  "Okay, maybe it was more like ten.  But it was definitely way too much reading to do, I mean, my brain was fried.  But you, look at you, you're a genius.  Harvard, here we come."

She smiles, and he feels like the sun's rising all over again, besotted and helpless in it, as he reaches out, reluctant, to tug on the end of her hair.

He misses the pigtails.  She looks so irrevocably grown-up.

Dropping that hand, he slides it into his pocket, searching out his phone and looking at the screen as he presses it on, frowning faintly at the text on the screen before glancing at Grace, hitting the message, and lifting the phone to his ear.  "Twenty minute warning, okay, Monkey?  Then we gotta get you back for dinner."

"Okay," she says, peaceably, and he smiles, but it's distracted, eyes sliding away from her to squint in the low-lying sun that's poured over this park.

Hey, partner. I guess you're still busy.  I'm headed back into the field with Joe, for that thing we talked about earlier, and I'm going to need you to hold the fort down for a while again.  If anything comes up, you know how to reach me.

He half expects a mahalo, but there's nothing.  No Danno, no timeframe, aside from -- he checks the phone -- an hour or so ago.

Which means Steve could be long gone by now.

He's still looking at his phone, gone black and silent, thoughts floating somewhere outside his grasp, when he feels the needle-point of attention on him, of eyes, and he looks up to see Gracie watching him, a tiny concerned line drawing across her forehead.  "Is everything okay?"

Innocent.  And there it is.  That trust.

He wonders how much longer Grace will believe him when he tells her his job isn't dangerous, if she's getting so perceptive already.  "Yeah, baby," he says, and reaches to pat her leg, thinking he hits believable.  "Now hurry up and finish your homework, okay?  You can surprise Mommy with it all done already.  Hey, hey."  She giggles as he leans over, pushing his phone into his pocket and stealing her paper.  "I don't think this is right, I think you have definitely spelled this wrong."

"That's a math problem, Danno."

"Oh, well."  He shrugs, gives the homework back.  "Then you're probably alright.  I was worried for a second there."

In the end, he doesn't really get a chance to think about the message much until he's dropped Gracie at the house, that wide, graceful mansion that he'd viewed with such bitterness, where he and Rachel --

Well, bygones.  It's too late for peace between them now, that's for sure, if she insists on pulling this shit, and he waits by the car until Grace has stopped turning around to wave and disappears down the drive, before taking the phone out and listening again, the smile he'd left her with fading from his face at the first sound of Steve's voice.

That thing they talked about.  Shelburne.  And Joe's ability to take Steve there, to him, to find this mystery that's been obsessing Steve for a year, the man behind all the murders, connected to Steve's life like some kind of destructive spider.  Breaking everything within reach, shattering a family, a life. 

Making Steve into the man he is now.  Like that sixteen year old kid never even existed.

No.  He did.  Does.  Danny sees it, sometimes.  More often, the longer Steve's been home.  That edge, the sharpness of him from the first few weeks starting to blunt, to bleed into island life.  Enjoying the good things.  Surfing, swimming.  Sun, sand, water.  Days like the barbeque.  Nights like...the one after.

He presses call back, without expecting anything to happen, and it doesn't, but his stomach still sinks like it's attached to an anchor when that voicemail message pops up.  The one he'd gotten to know so well over six weeks.  The only thing he had of Steve.

That this newest message might fit that description is zero comfort.

"Hey," he says, when it beeps.  "I, uh, guess you're probably on the plane.  So I wanted to, I don't know."  He levers off the car, takes a few steps.  Free hand lifting, moving.  Pushing at words.  Pushing at these feelings, choking.  Heavy, in the center of his chest.  "Wish you luck.  Try not to get shot, okay, nobody likes that, most people actively avoid it.  And, uh --"

Pausing, he glances across the street, at the house, knowing Grace is in there now, telling Rachel about her day, about her time with him, and for a second, it all seems impossible.  "I told Rachel I'm gonna fight it.  I don't care what happens, she can't take Grace away from me, and I'm not leaving this rock just to go dry up in a desert.  So, just.  Try to come back in one piece, huh?  If you're gone too long, I'm just going to take your office.  Dennings likes me better, anyway."  Licking at his bottom lip, glancing down.  Hand in his pocket, and this weight, here it is, back again, and he hates it, but he can hold it, maybe, a little while longer.  For Steve.  And he doesn't think Steve will, doesn't know whether Steve will be going to ground again, but he says it, anyway.  One more throwback.  Maybe this message will make it to him, too.  To be added with the others.

"Call me."


#


He gets it.  Of course he does.  Why Steve had to go, even if he's more than a little wary of Joe.  He likes the guy fine, but Joe, he always looks like he's hiding something behind that perpetual smile, those blue eyes that look like the kind of water so clear and still you've got no idea it's terrifyingly deep until you see your own shadow miniaturized on the bottom.

But Steve had to go.  Shelburne kept him away from Hawaii for weeks, and that was before he had a guarantee of finding him, before he had someone who knew, exactly, precisely, where Shelburne is, and Danny can't fault him for it, refuses to look at the days and weeks, maybe months, that might be spooling out in front of him.

Instead, he goes to visit Max.

The guy looks wiped out, and it makes something twinge in Danny' s chest to see him like that, lying in a hospital bed, pale and too exhausted from pain and medication to do much more than wave a loose hand.  "Hey, buddy," he says, grinning, as he pulls up a chair and settles into it, leaning forward, voice easy, like this is any normal conversation, like Max is doing his job in his lab and is about to say something Danny won't understand.

Instead, he just nods.  "Thank you for your consideration, Detective.  Truthfully, I did not expect many visitors."

Yeah.  He bets not.  He wishes, for a second, that he could get Lori on a video call, or something -- she always got Max better than any of the rest of them -- but it's still the middle of the day in DC, and she's working.  "You think I could just leave you here to fade away, without benefiting from the sunshine of my personality?"

Max considers him, gravely, with a faint edge of his usual curiosity.  "I appreciate your concern, but there is no reason to believe I might not convalesce fully in a satisfactory amount of time."

Danny shakes his head, lifts a hand to pat an arm.  "I want you to know I mean this, from the bottom of my heart," he says, seriously.  "I am truly relieved that you're okay.  I hate working with new people."

The tiny smile he gets is all the reward he needs.



He gets chased out sooner rather than later, though, by a nurse pointing out that Max needs his sleep, and the sun is starting to go down as he slides back into the Camaro, feeling oddly out of place in the driver's seat.  Pausing for a second, to look out over the parking lot without seeing it, glance up at the sky like a plane or a chopper might magically appear out of the wide blue, before shaking his head and turning the key.

The apartment doesn't look any different.  Why would it?  Nothing's happened here, and even though the whole world outside feels like it's shifted a sharp thirty degrees, this place, the little shoebox he calls home, hasn't.  It's still, and quiet, and he's there for all of five minutes, long enough to change into a t-shirt and consider ordering something for dinner, before he starts wishing he weren't. 

It's not Steve's house.  It's not big and roomy and situated by the beach, away from humanity and all the noise and smell and clatter of them, seriously, his upstairs neighbor sounds like he's pulping wood up there, and that's all fine, normally, but it doesn't have Steve, either, and that's a thought he's been avoiding all night, until now.  Until it chases him down, sits him sternly on the couch, and tells him to pay some attention.

But he can't, okay, there's too much.  HPD still a wreck.  Max gunned down.  Steve, shot and being stupid about it, Kevlar or no Kevlar.  And above it all, sinking poisonous tentacles into the world, Rachel and Vegas and the possibility of losing Grace.

And now this.  Steve gone.  Not at the house, waiting for Danny to come by with some beer, a whole lot of complaints.  Not here to talk to, bitch at, sit with, unwind with.  It's not even the new, the physical stuff he's craving right now, it's just -- Steve.  Everything.  Everything about him.  His best friend, who he could really use having around tonight, who he suspects could probably use the same.  And it would be easier, maybe, to face the prospect of fighting Rachel, if he were able to have a little peace tonight.  To fall asleep next to a warm heavy body.  To hear that particular, sleepy tone saying shut up, Danno against the back of his neck, brushing shivers there, prickling tiny hairs and nerves into life.

It's not sex, okay, it's Steve.

His windows are dark now, and he leans back on the couch, an elbow on the back, hand resting at his mouth, eyes following the headlights of cars as they go by.  Wondering if Steve got his message yet. 

It might be weeks again.  He doesn't want to lead Five-0, doesn't want to be the point person, okay?  He can, and he will, because Steve wants him to and, more importantly, it's his damn job and someone's got to stick around and clean up the messes here.  Especially with HPD in tatters.

It just is like a tunnel.  All of these things, curling in on him, and Steve gone, meaning he's got to do the best he can and hold down the fort, which, true, at least gives him a purpose that isn't getting angry at Rachel.  And Steve -- will listen to his message.  Will get it.  Maybe even keep it.

He's got no comparison for the way something tiny lights just beneath his breastbone at the thought of those messages, but it's like the strike of a match, the quiet illumination of a nightlight.  Even with the memory of Steve's stricken face, like he thought Danny might, what?  Dislike the fact that Steve kept his voicemails, instead of feel like he'd just gotten everything he'd ever wanted for Christmas that had never been under the tree?

It's not even a thought, to pull out his phone again, hit the number, wait for the message.  Like Steve is really here.  Like Danny can talk to him.  And he can.

Just on a timeslip.

"Hey, so I checked in with Max, and let me tell you, the guy is surprisingly durable.  I think they're making the lab techs out of sterner stuff these days, which is great for us, you know, because I'm really not sure I want to go through another round of getting the tech to like us, you know?"  He pauses, shifts forward on the couch, elbow on his knee, hand running over his mouth before dropping.  "I have not yet harangued any government offices today, which I think you'll be happy about.  Thank you for keeping me in the loop this time so I don't feel the need to beat information out of government officials.  I am, however, unbelievably bored right now, I think I've seen all the movies I own about a thousand times, and there's nothing good on TV.  Anyway, just, uh...


"Check in if you can, I guess.  And, seriously, let's keep it under six weeks this time, huh?  And, hey.  Steve.  Be careful, will you, you know I hate it when you don't have any backup, so just watch your back, please.  And don't do anything stupid."  He takes a breath, considers, shakes it out with a shrug.  "I'll check in with you later.  See you."

It doesn't help much, maybe, but it eases a little of the worst parts of the pressure, and he's put the phone on the table, is pushing himself up to go get a beer, when it rings, and he turns, surprised, heart lifting --

Not Steve.  First push of disappointment aside, he leans for the phone, picks it up.  "Chin.  What's up?"
haole_cop: by <user name="somanyreasons"> (let's pause for a second)
So, it's been a week.

Ish.  It's been a week, ish, and so far, okay, so far, things have not blown up in his face, and though he is feeling anything but certain that they will continue to be less than catastrophic, he's cautiously optimistic that maybe, possibly, they might continue to not blow up in his face.

Crazier things have happened.  Right?




Crazier.  But not by much more than this week.  Dragging out Sunday, before having to leave, to pick up dry cleaning, run the errands he usually does on Saturday.  Before heading to work Monday morning, swallowing past his heart in his throat, until it turned out that work is just about as normal as ever.  He busies himself trying to track down the shadowy agents of last week, without much luck -- shouting himself hoarse at the CIA home office and receiving nothing but icy politeness and a click before the line went dead.

Yeah.  They're under a rock somewhere, and unlikely to resurface, just to face the wrath of Five-0 and the HPD, not to mention the Governor's office, for kidnapping and assaulting an officer of the law, which he tells Steve before thinking that maybe, considering the murderous look on Steve's face the week before, he shouldn't have.

But aside from that, you know, it's been good.  Kono seems like a little more cheerful every day, and Chin -- who seems to be watching him or Steve more often than not, a faint frown on his face every time Danny so much as brushes past the guy (and, okay, maybe he gets a little closer than normal, but not by much, right, not noticeably) -- is always good, a steady, stoic rock.

So it's not, you know, bad.  There are times when it's great, honestly.  Even when he finds himself staring at Steve through the plate-glass windows of the office, caught by the slope of his shoulders and the line of his back and a sudden, vivid, mental image of running his fingers along bare skin, feeling him shiver against them.  Even the night he spent at his own place, suddenly so much smaller and more quiet than he remembers it being, and finds it hard to sleep, when the bed seems so much colder and larger than usual.

Which is crazy.  Even if Steve is like a furnace, and he takes up a crap ton of room, there is no sensible reason to miss him for a single night, or to spend as much time thinking about the next night he'll stay there as he does.

 

All he can say is, it's a damn good thing he's got plenty of paperwork to do.


Besides.  It's a pain.  Having to get up so early, bleary-eyed and grumbling about it, to get in the car and come back home before he can go to work, showered and dressed and not looking like he'd spent the night anywhere but in his own apartment, by himself, because Kono is like a freaking bloodhound once she's on the scent of something, and, okay.  Maybe he grumbles a little extra, just to clarify the point that he is not, in fact, leaving because he wants to, but because he has to still look like a responsible adult, despite the fact that Steve handily wipes away all semblance of self-control from him without anything more than a look or a touch.

(Though usually with a hell of a lot more than either, considering how wrinkled Danny's clothes have been this week.)

But, yeah.  That part sucks.  The leaving.  Particularly when, just as he's finishing up getting ready for work, there's a knock at the door, and the innocuous manila envelope being handed to him. 

It looks so innocent -- it really doesn't deserve the sickening thud his stomach makes as it hits the floor.
 


Day 3

Sep. 10th, 2012 10:22 pm
haole_cop: by jordansavas (sometimes sprawled)
He can't sleep without some background noise.

Never has been able to.  From sharing a room with Matty growing up, to having Rachel sleeping next to him, soft breath brushing against his chest, to the TV that's his usual company when Grace isn't over, he doesn't like silence when he's sleeping, and he doesn't like the sound of the waves, prefers the low mumble of human voices, even if he isn't paying attention.

Except what it really comes down to isn't that the waves are annoying -- swish, swish, back and forth, all goddamn night long -- or that white noise helps him sleep.

He hates being alone.

He really does.  Honestly.  it's one of his least favorite things.  His family is large and noisy, and even when it was just him and Rachel and Grace, there were other people in the house, other voices, other words and bodies.  It's part of why he let Steve push him into dating Gabby, because she was company, and someone to be around when he couldn't convince even himself that any of the team would want to hang out with him.

So the thing is, what this all comes down to, somewhere along the unsteady path his thoughts trip along, is that there's no TV in here, and he can hear the waves rolling in and in and in, but Steve's next to him, steady breath blowing gently against Danny's hair and neck, and it's all quiet, and the next thing he knows, he's blinking his eyes open and it's the dead of night, which is about all he manages to get before they slip closed again and everything smooths into silky, gorgeous sleep, pulling him down with the weight of Steve's arm and Steve's gravity and the kind of dopey sense of all being right with the world that he swears is familiar but can't pinpoint, can't remember.

It must not be that important, because it sure as hell doesn't keep him up, sends him off as sweetly as a lullaby.







He wakes up fuzzy-mouthed, bleary, and warm.  Well.  'Wakes up' is perhaps a misnomer.  He becomes slightly aware of something other than dreams and darkness.  Of warmth behind him, around him.  Of softness under him.  Of the thin gray light of the room.

Of quiet.  Peacefulness. 


It makes him want to dig a hole in this bed, curl up, and hibernate through the storms that always seem to hit once consciousness takes hold.

haole_cop: by jordansavas (grasping at straws)
"Hey, Steve.  Got your, uh.  Your note?  Is that what this is?  What, are you planning to be out past curfew?  You seriously think a note's going to cut it for this?  Call me."

Message ends.

.

"This is getting less amusing by the hour.  Will you just let me know what's going on, please?  I could not give a single crap about confidential.  Call me."

Message ends.

..

"That's it.  We've officially solved a case without you.  The mystery of the missing goddamn shrimp truck.  That's it, we can shut Five-0 down, we're done here.  The mother of all mysteries.  Truly a stunning piece of detective work by Kono and Chin, who took it on because I am busy leaving you eight thousand messages.  Call me."

Message ends.

...

"It's not hard, okay.  You pick up the phone.  You hit the little buttons.  You talk into it.  It's amazing what they can do with technology these days.  I know you're probably using smoke signals or possibly gratuitous violence to communicate right now, but I can assure you, it isn't necessary.  Phones actually work both ways.  It's stunning, I know.  Will you please just call me?"

....

"What, did you forget my number?  Is this how you treat the women you go out with?  I feel like an abandoned prom date. Pick up your damn phone, McGarrett.  I know you're listening to this off in Cambodia, or wherever you are.  I hope you're well armed.

Call me."

Message ends.

.....

"Do you have any idea how it feels to drive my own car for a week?  Weird.  Okay?  It feels weird.  It should not feel weird to drive my own car, that's just wrong.  Not to mention it's been, uh, a week.  




You have a pretty dim grasp of what 'keeping in touch' means, don't you?

Call.  Me.  This is not a difficult request.  You never seemed to have much trouble talking to me before.  Just --





Call.  Okay?"

Message ends.

......

*message consists entirely of windy background noise, the low roar of a car engine, and Moves Like Jagger, tinny, like the phone is being held up to a radio*

"I hope that song gets stuck in your head for the next week.  I hope you hate it.  I hope it drives you crazy.  I hope it plays in your dreams.  I hope you appreciate the fact that I'm listening to a song I hate just so I can leave you this message.



Call me."

Message ends.

.......

*sounds of a scuffle, followed by a loud thud as of a head hitting the roof of a car.  Danny sounds slightly breathless*

"Well, since you're a captive audience, I may as well give you a crash course in the appropriate way to arrest somebody.  Hey, scumbag, where do you think you're going?"

"Come on, man, you got the wrong guy, I'm tellin' you, it's not me, I didn't do nothing, okay?"

"Am I talking to you?  No.  Shut up, and get your hands on the roof.  Steve, allow me to teach by example.  You, asshole.  You have the right to rem --"

Message ends.

........

"Steve.



It's late.  Uh...everybody else has gone home, I think.  They're all good.  The case this week, it, uh...




You know, I was planning to give you a whole rundown, but screw it.  Screw it.  It's late, and I'm running right on the edge, and all I want to do is go home and sleep for a week, but I can't, because someone's got to step up and try and be you.  And you're...still gone.  And I don't want to be you, okay, I suck at being you.  So can you just, please.  Call me.  So I can go home and get some sleep and stop worrying."

Message ends.
.........

"If you're...








If you're dead, I swear to God I will hunt you down and punch you in the face.  Call me.  I just want to know you're still alive."

Message ends.

..........


"You're going to kill me for this one, but you know what? I honestly don't care.  Not even a little.  I would be happy about it, because at least then I'd see you, okay.  Okay.  Hold on.  

Go ahead, sweetie."







"Hi, Uncle Steve.





We miss you.  Are you coming home soon?  I learned to float on my back, and Danno says maybe when you come back I can show you.  Okay, come home soon.  Daddy wants to talk to you again!  Bye!"






"Okay.  Okay.  That was low.  She is the most irresistible thing I know, and if that doesn't work, then I am fresh out of ideas.



Steve.  You would be so heartless as to leave Grace hanging, huh?  Call me."

Message ends.

.........

"I swear to God, if I hear the term "classified information" one more time, I am going to break someone's face.  Are you having your buddies cover your tracks?  Think we'll mount another insane rescue mission for you?  It's been weeks.  Weeks.  And this place is --


Call me, you unbelievable asshole."

Message ends.

.........

"It's not the same, okay?  Without you.  All right?  Are you happy?  I feel all out of whack.  This is not a comfortable feeling for me.  We're doing everything by the book and it's just not --

It's not the same.  I --


Kono says to say she misses you.  I hope you're lost in a jungle somewhere."

Message ends.

..........

"Okay! So, where are we at?"





"Uh, Danny?"

"Yes. Chin.  You have a lead?"


*a pause, perhaps the length of a meaningful glance*


"I was just wondering why we're talking to your phone."

"It's Steve."

*a flurry of excitement*

"Steve's on the phone?  Hey, boss, where the hell have you been?  We've been worried.  Danny's been riding the edge of a stroke for weeks."




"No, he's not on the phone.  Are you kidding?  He doesn't talk to us anymore, but that doesn't mean he gets to slack on work.  Keep going."

Message ends.

...........

"Your SEAL buddy named my car.

My car.

Mine


And now I keep thinking of her as Winifred.  Steve, this is unbearable.  And this is...






Unbearable.  Just -- call me.  Okay?  Call me.  Whenever.  Whenever.




I'll be up all night."

Message ends.

........

















Message ends.

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Detective Danny Williams

September 2015

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